As a long overdue Pixar follow-up, Incredibles 2 satisfies fans of the original and feels like a more natural story progression than some of the studio’s other sequel efforts like Cars 2or Finding Dory. Despite that, the updated animation stretches far past the already groundbreaking visuals of the original with even more thrill-a-minute action sequences, beautifully expressive character animation and visceral cinematography not commonly seen in animated movies today.
Nelson) rallies the rest of the superpowered family to save her. The story feels redundant in essentially reversing the same plot of the original by having Helen ( Holly Hunter) answer the call to adventure against a surprise villain while Bob ( Craig T. The first family of Pixar returns to deliver more of the original’s witty blend of superhero antics and family drama, but that also is what holds it back from being a truly great sequel. Nearly 14 years in the making, Incredibles 2 was a visually dazzling sequel worth waiting for, despite the familiarity of its script. RELATED: The 45 Best Animated Movies of the 21st Century (So Far) With mind-bending stunts and a thrilling pace, Ghost Protocol proved that Bird was not just a gifted animator, but a great filmmaker. It is also the series’ most suspenseful film with superspy Ethan Hunt and his team disavowed, a world on the brink of nuclear war and every piece of spy tech at their disposal malfunctioning, making the mission all the more impossible.
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With Ghost Protocol, not only was the franchise given new life in a film that is as funny as it is daring, but Cruise pulls off one of the craziest stunts of the series by scaling the side of the world’s tallest building, the Burj Khalifa.
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Released five years after 2006’s Mission Impossible III, fans initially feared that a fourth movie couldn’t meet the heights of the previous installments, especially with concerns that star Tom Cruise was getting too old to do the kinds of stunts that made him an action star. Mission Impossible: Ghost Protocolis Bird’s inaugural dive into directing live-action films and is regarded by many critics as the best of the entire franchise. From cult classics to modern masterpieces, each of Bird’s films hits a different chord with its audience and finds a place in their hearts as something truly special. As a director, he is one of the rare exceptions of an animator jumping mediums and finding success as an auteur in the realm of live-action as well, due to his ability to attribute classic filmmaking principles to his animation and dynamic visual expression behind the live-action camera. He is also a member of Pixar’s internal creative Brain Trust, a team of Pixar elite that consults on each and every one of their films. One such CalArts alum is a director who has helped redefine the possibilities of mainstream animation and championed for the legitimacy of the artform as not being “just a genre for kids.” Brad Bird is about as hands-on as an animation director can be, wearing multiple hats on his films as director, writer, animator and even voice actor. CalArts graduates have gone on to become award-winners, studio heads and some of the most influential artists of the past twenty years. The classroom number A113 has even become a ubiquitously referenced easter egg within the animation culture as tribute to the alma mater of many an animator. The Disney-founded school fostered up-and-coming directors and creators like Tim Burton, Genndy Tartakovsky, Henry Selick and Pete Docter, just to name a few, as they learned the principles of traditional character animation and general filmmaking at the feet of classically trained veteran animators. In the 70s and 80s, the graduating classes of the California Institute of the Arts’ animation program were a melting pot of talented animators and filmmakers who would go on to become some of the most prominent figures in Hollywood.
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